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Tag Archives: sound art

Dermis, audio CD edition, curated by Richard Garet, Contour Editions.

2018

Dermis project focuses on the sonic studio practice of artists making works that
are currently in process; consequently obscure, unheard of and not accessible by
the public.

Artists include:
Sabisha Friedberg, France Jobin, Brendan Murray, Maria Chavez, Andy
Graydon, Alfredo Marin, David Velez, Jim Haynes, Doron Sadja, Melissa F.
Clarke, Gill Arno, Carver Audain, Katherine Liberovskaya, Jesse Kudler, David
Schafer, Tristan Shepherd, Christopher Delaurenti, Bonnie Jones, Wolfgang Gil,
Gil Sanson, Byron Westbrook, Victoria Keddie, MV Carbon, Lesley Flanigan, Ben
Owen, Seth Cluett, Richard Garet, Stephanie Loveless, Martin Craciun, Daniel
Neumann, Tristan Perich.

http://www.contoureditions.com/pages/about.html
http://synradio.fr/dermis-un-projet-de-richard-garet-pratiques-datelier-et-work-in-progress/

Five Works
2017
ed. 100

This album has five tracks, four are from related sculpture projects, and one is a live recording of a performance at La Cita as part of Misfit Toys organized by Michael T. Ruiz. Liner notes briefly describe the other tracks. Available on Bandcamp as download or CD.

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Sound Positions creates immersive and intimate situations for listening to work by an international selection of emerging and established sound artists. The exhibition will feature 4 listening stations, each dedicated to the work of each artist.

Contributing Artists:
Seth Cluett, Luza Quiceno, Mileece, David Schafer

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March 8, 2014

DSE performed live at the event NOISECONOMY at Printed Matter in NYC.

NOISECONOMY poster was printed in an edition of 100 off-set litho.

Other performers were Marcia Bassett and Matthew Regula.

www.printedmatter.org

NOISECONOMY

March 6, 2014

DSE  performed live at the event DEFERRED ACTION at Silent Barn in Bushwick, Brooklyn, NY.

The DEFERRED ACTION poster is in an edition of 100 off-set litho prints.

Other performers were Richard Garet, Private Language, & Nathan Cearley.

http://www.silentbarn.org

DEFERRED ACTION FINAL

A 12 CD signed edition box set, including double-sided poster, insert, sticker and die cut hand-assembled box. Designed in collaboration with Shiffman&Kohnke, Los Angeles. Edition: 50

This edition is the culmination of a one-year project from November 2011 to October 2012 in which one CD was released each month. The 64 tracks total 10 hours of electronic noise created in studio and at NY and LA venues.

The box set will be available for purchase through DSE studio and Studio10 gallery, Brooklyn.

www.dsenoise.com

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DSEnoise Compilation

C60 Cassette. Ed 30.
Green Records and Tapes

Face Cutter is a compilation cassette featuring 13 tracks from the DSE noise project of studio recordings and live performances.

Green Records and Tapes, Ypsilanti, MI. July 2013.

Mastered at Catasonic, LA.

Bandcamp
dsenoise.com

Photo Credit: Kristina King

 

Face Cutter

 

 

C60 Cassette. Ed 30.
Green Records and Tapes

Dagon is a live studio recording of the noise collaboration between DSE and Witches of Malibu. This cassette contains the extended track Constrictor and the track Naga.

Green Records and Tapes, Ypsilanti, MI. July 2013.

Mastered at Catasonic, LA.

Witches of Malibu is the noise project of Richard Skott Rusch. This project is comprised of violently psychedelic electronics, American industrial power of suggestion, and meditations on relaxation through noise mongering.

Scott Rusch has been associated with the bands Hunting Lodge, Screw Machine, and Farflung.

Dagon Product Shot

An evening of six live noise performances by

DSE
Chelsea Rector
Shane Stritesky
Unica
Crowhurst
Witches of Malibu

David Schafer was invited by David Kordansky to perform and curate an evening of live noise entitled INTERSIST at the David Kordansky Gallery on Smiley Drive, Culver City.

In Sartre’s “Nausea”, the character Roquentin experiences an existential crisis that is referenced as interstitial. To coexist, resist, subsist, persist, obsist. To intersist – and live in between signification. Similar to Roquentin’s crisis, Jacques Atalli wrote in “Noise: A Political Economy of Music” to think of the idea of noise as the mutation of code, a carrier of death, but simultaneously a carrier of new information. “The absence of meaning is in this case the presence of all meaning”.

DSE live-processed Arnold Schoenberg’s work entitled “Erwartung”. Erwartung (translation: Expectation), Op. 17, 1909. A one-act 30 minute monodrama, an opera for a single soprano with orchestra, epitomizes Schoenberg’s early atonal style. The story is a psychological snapshot of the moment a woman comes across the dead body of her lover in the woods. Schoenberg’s description of Erwartung was as follows: “In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour”.

Photo Credits Zaid Yousef and Kristina King

 

DSE INTERSIST

 

Maté 3 performance at Invisible Dog, Brooklyn, New York

DSE performed at Invisible Dog as part of the Maté Series 3 curated by Richard Garet. DSE performed a live processing of Arnold Schoenberg’s Peirrot Lunaire Op. 21 from 1912. Also performing during this series was Bob Bellarue and Alfredo Marin.

http://theinvisibledog.org/mate_series-3-descriptions-and-bios/

http://www.halfnormal.com/

http://www.conspicuouspropriety.com/

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